a true rarity from salsouls vast archive here, one for the bonafide boogie heads out there. this has gotta be one of the rarest surface records in existence, 3 cuts of that amazing early 80s funk that only surface can do! a licensed late 90 s pressing of this particular ep became highly sought after and has since been impossible to track down for even the most dedicated diggers. 3 full length jams presented here, including a wondrous mix from the legendary shep pettibone of the classic falling in love, also included are the previously unreleased stop holding back and when your x wants you back. this whole record is pure heat, one for the aficionados. properly licensed, wonderfully remastered and reissued for the dancefloor! you re not gonna find a more solid, well rounded example of that killer post-disco, electronic funk than this collection of cuts. essential. snoozing not advised!

synkro aka joe mcbride teams up with veteran arovane aka uwe zahn for a sublime collaborative ep on apollo. refractive (index) sees the duo exploring their shared love of broken beats and dreamy soundscapes. the pair are also connected through their affection for yamahas venerable handheld sequencer, the qy700 (also a favourite of dutch lo-fi house master legowelt) arovane a long time stalwart of the acclaimed city centre offices imprint explains: everything started with a detail in an interview with joe that grabbed my attention. i spotted a qy700 sequencer from yamaha on one photo. i used this piece of gear for decades to sequence all of my hardware and to produce my music. its part of my trademark sound of rhythm programming. one of the factors that makes the qy700 beloved is its ability to change parameters in realtime to shuffle, shift, expand or compress the timing of each pattern independently. its touch can be felt throughout the oscillating rhythmic figures that wend through the gauzy pads and drifting melodies. we share the same wavelength when it come to breakbeats, musical taste and melodies, arovane continues this ep is the beginning of something special!

tiagos wonderful interzona13 deliver another duo of mesmerising, psychedelic club jams from stellar om source a message from tiago. i met c ages ago when both of us were traveling europe with our separate experimental music units. fast forward to today and we got together again to put out this amazing rocket showcasing her latest work. recorded at club lux in lisbon in a interzona13 effort on putting together the city s finest to wrap it with much talent in music engineering, design and poetry in one single object.

we present you the third release in our very successful collaboration series with roar groove and the revenge. straight after his new brilliant album when the thrill comes that was release in may this year graeme clark is back on dirt crew with four new gems. the opening, funky and twisting, times get tough is a deep rolling down tempo disco/ house stomper that builds into this ecstatic groove we got to love so much from his previous outings. pure good times and hands in the air action promised on this one! subconcious is that darker and meaner side of house track with a slammin chicago beat he delivers this old school jackin feel. big bass lines and soulful vocal samples tied together by on the fly drum patterns. the b-side of this new ep opens with an hypnotic jam that builds and builds till those sweet synths start soaring in. all carried by this ultra phat bass line, we can only imagine how this one will sound on a massive sound system! searchlight is def a highlight of this release. can we go even deeper and darker? oh yes! with come down we get a proper come down to close this ep. deep sub basses with floating tops and again that classic jack house beat. certainly a late night track made for those sweaty and long dj sets. summer is here and the revenge has the perfect soundtrack for hot and steamy nights, inside or on the open field!

1 copy per customer!! everybody s favourite parisian party fiends are back, polishing up another batch of patchy pound bin finds and not-on-discogs delights for your next summer soirée. putting their orange-eagle eyes to good use, the lyo crew have trawled the crates of europe and beyond for this sunkissed set, working the scalpel to the max to pack the dancefloor in arms aloft ecstasy. our party starts with the kwaito groove of -avidiyo--, a killer bit of late 80 s afro-action boasting synth marimba, alien bass blasts and life affirming vocal chants. not only is this cut moving in the ants-in-your-pants/dancing-like-a-madman sense, but its sting-on-safari emotion and clarinet solo could bring a tear to a glass eye. cartwheeling between aspirational jazz-funk and afro-cosmic, yanga mbiwaa makes its way to the heart of the party like a bewildered parisian at an ivorian wedding. as tumbling toms rumble like thunder on the serengeti, an oddball exotica chant encourages the nearby wildlife to shake a tail-feather to the club tropicana guitars and buzzing synthbass. at last you have something to keep quantum jump s lone ranger company! last but not least comes autoradio , a very well mannered monsieur living the french highlife by the sea and sun of the mediterranean coast. effervescent afrobeat guitars and swooning sax dance over a rolling rhythm section of buoyant bass and 80s percussion, while a spoken vocal drawls in your direction and the girls ask if you re ok. it s only when the pinging, ringing, madly modulated bass breakdown bounds through your surroundings that you ll wonder who slipped what in your drink...

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

guru s jazzmatazz, vol. 1 is the debut solo studio album from guru, one half of the hip-hop duo gang starr. released on 18th may, 1993 on chrysalis records, this album is one of the first albums to combine a live jazz band with hip hop production and rapping. live backing is provided by a band that includes lonnie liston smith, branford marsalis, ronny jordan, donald byrd and roy ayers. the album also features vocal collaborations with carleen anderson, n dea davenport (of the brand new heavies) dee c lee and french rapper mc solaar. the variety of guest artists adds diversity and originality to each track, and gives the album a distinct jazz feel. in celebration of the 25th anniversary of this classic album ume/urban legends will be releasing a 3lp deluxe edition which includes the original album, the instrumentals and a third bonus lp of rare remixes. the package also comes with a 12 page booklet that features rare images from the original jazzmatazz photo shoot.

“we are doing this on our own, with not much help from government. i am proud that we are building a movement. it’s like a child that you can see growing and evolving. it’s growing exponentially, but that was the plan… we are standing on the shoulders of giants. i grew up respecting the craft. there was that golden era of reggae music when everyone looked to jamaica. i know the history, i know the impact reggae music can have, and i want to be part of an era that brings it back to that stature” - protoje

autodidact is back with an ep by qindek, who offers up three delicate techno tracks with beautiful modular sounds and intricate drum patterns. on the b-side we find the legendary icelandic (dub)techno producer thor (thule records) with a deep but dancefloor-friendly remix.

after last year’s acclaimed bb boogie album “standing on the wall”, darren benjamin aka daz-i-kue returns with this incredible slice of latin jazz futurism. between 2012 and 2016 daz travelled to puerto rico to record with an array of talented musicians, laying down the framework percussion, bass and horns to be worked on when he returned to his studio in atlanta. “crash boat party” is his collaboration with ex fania all stars percussionist hector “tempo” alomar and features atlanta-based trumpeter dashill smith, (who’s worked with roy ayers, janell monet, and miguel atwood-fergurson to name but three), and accomplished bassist mamaniji azanyah. already licensed to feature in bobbito’s forthcoming documentary “rockrubber 45s”, this is timeless latin-jazz fire. the single is backed with “esto es candela con ritmo nene”, also from those sessions, taking things firmly into bruk-jazz territory.

a wild electro / trash techno ep with full of heart and emotional feelings. its wild when it comes to the rhythm section, classic electro but also real punshing 4/4 beat. emotional when it comes to the melodies - so so sweet!!

brothers harvey and ryan mckay return to drumcode with their dynamic alias project. we were introduced to alias last year when the mckay brothers dropped the impact-heavy visions ep mid-way through 2017. the duo followed with a lauded contribution for drumcode live and the buzz from fans was palpable. the follow up sees the pair in powerhouse form. the title track nrg is an attitude-packed tour de force compromised of aggressive snares, warped vocals and a tension-filled break, it has been smashed by adam beyer for the last six months. orange sunshine pulls no punches as it dishes out apocalyptic acid paired with the siblings startling drum work. the event rounds out the ep and is an exhilarating affair propelled by uplifting synth lines and a buzzing energetic bassline.

soul sugar drop their own reggae version of marvin gaye’s -i want you-. french outfit soul sugar – the brainchild of guillaume “gee” metenier – deliver yet another soulful reggae 12”, this time a cover version of marvin gaye’s 1976 classic -i want you-. jamaicain native leonardo carmichael sings lead vocals and legendary drums and bass duo sly & robbie add their flavor to the mix, with two versions on side b. marvin gaye’s single -i want you- was a big step forward for his sound & vision and marked a change in direction – from hip motown soul to a more sultry, disco sound. marvin s vocals are notably intimate and the lyrics are more explicit, more personal. an original soul classic, -i want you- is memorable for its unique combination of lush harmonies, a mesmerizing groove and the apparent sexiness of the theme itself. soul sugar s discomix version combines a smooth mixture of reggae, soul and funk over beefy bass lines, designed for heavyweight sound systems. sly & robbie, rhythm duo known for their studio work on countless reggae classics since the 1960s deliver their version, taking us back to the golden age of reggae, the days when it was typical for jamaican musicians to record their own versions of american soul tunes ... ace producer jahno dubs the mix live and direct to tape, from his very own n.o.f studio

no money, no honey goes the saying. so with that in mind, honey soundsystem returns to the aisles of your favorite (and least favorite) record stores with a money shot 12 inch, four tracks that bring all dance floors into states of full release. honey soundsystem has been on the road seemingly non-stop, visiting foreign cities and meeting delightful characters on the way. this ep is a tour diary of sorts, 4 tunes that we have been road tested to the 9th degree and now we want our friends, fans, and foes to have them too. a1 features a track by san franciscos sepehr - the most id requested track from our chapter 10 boiler room finally revealed. a2 is by stockholm&#700,,s henrik bergqvist, a tune jackie got his hands on after a crazy night of rolling and accidentally voguing on top of henrik&#700,,s computer bag. derrick carter approved the use of his voice as long as it said snatched from dc thanks derrick! b1 is by the twink-porn worthy bio-brothers from berlin: morven son - a horny moderne electro classic featuring a secret sample from one of the more fabulous 90s movies about a sex worker. b2 is a hidden gem demo from bogotas lunate. while visiting bogota to play a gig at the legendary video club, locals kept pointing fingers at one guy when referencing the man in town making the music we needed to hear. that guy was lunate and this one of those beautiful and simple tunes you can play at the beginning, middle, or end of any night. the best news about this release? everyone behind these tracks are genuine people with great hearts. the honestly comes through when listening and playing them out, youre gonna love the way you they sound, i guarantee it.

soul clap definitely knew what they were doing when they snapped up certifiable diva legend nona hendryx to sing on one of the cuts from their self-titled 2016 album. now ray mang has got his mitts on the parts to -shine (this is it)- and turned out three versions for his own mangled label - the classic combination of extended vocal, instrumental and radio edit versions. whichever cut suits you best, the vibe is the same, a bold and bright summer party track splashed with horns, keys and plenty more besides, although the smart money is on hendryx s legendary vocal, which soars as though no time has passed since her days working with material in 80s nyc.

up next on hot creations is intrepid spaniard dennis cruz. the award winning dj and producer drops some heavy hitting dance-floor dynamite this june, enlisting the production expertise of new yorks joeski for the remix. title track freaks is deep and driving, with its almost slurred vocal, its perfect for those 4am vibes when the freaks come out to play. mother f..cker utilises heavier percussion set off by a pounding bass. the joeski rework of freaks adds a dash of prominent high-hats with the producer softening that unmistakable bass-line. dennis explains this ep is the style of music that i love to play and produce. it s what i feel more comfortable with and what i think defines my sound. dennis cruz has been firmly implanted in the music scene from a young age. he got his first taste for playing music at the age of 17. since then hes gone on to produce tracks for prominent labels such as moon harbour, solid grooves, snatch! and nervous records. his records have been championed by some of the industrys hottest djs from jamie jones to loco dice, and nic fanciulli to marco carola

seven davis jr proved once again he s one of the brightest lights in authentic soul-soaked deep house with attitude when he released love from the other side back in 2016. now he s pulled together a strong cast of cats to offer up remixes of key album tracks, with scintillating results. davis jr s heady atmosphere is maintained in all of the versions, from marcel vogel s funky broken beat treatment on -99 candles- to the woozy bump of the teflon dons version of -this weekend-. watch out for the tracky heat of coflo s remix of -me like you- as well - just the kind of lean, mean, sexy jam that will get bodies heaving in the right party spot.

tom dicicco is best known for his stern techno output, so its intriguing to seem him donning a new alias, veyg, and exploring a new sound palette. as with the last veyg 12inch, the tone here is somewhere around the slower tempo, discoid acid end of the spectrum, and hes made the sound his own. my sweet soul is a dusty affair with squashed drums and looped up bongos rubbing up against trippy globules of lysergic monosynth action. when they fall- is a downcast electro track for rainy sundays, while these feelings waits for the clouds to break and dances on the damp lawn with no shoes on. west of the sun is the most adventurous offering on the 12inch, escaping the 4/4 thud and twirling in an off-grid stylee with ample dub fx tugging the melodic parts around in a mellifluous haze of experimentation.

micro.solchi is the collaboration between paolo mosca and matteo volpato. keep an eye on these guys and their fresh and spontaneous mixture when it comes to breaks, house and electro.

two berlin underdogs and a detroit ravemaster. a driving force in the very early frankfurt electronics since the late 80s, to hardcore acid in brooklyn in the early 90s, producing legends as carlos peron among many others along his way, adsx aka andre fischer might sound new to many but has been an active part of the underground electronic movement for the last 30 years. benji df aka hanoben is no newbie to the scene either and might have soundtracked your night if you were to be found at clubs like tresor or snax in the late 90s. together they recorded an ode to aural sex, its acid counterpart, and a genius sketch of a club banger. when label honcho capablanca heard the latter had little doubts about commissioning an extended mix to motor city s special forces gen. sharif laffrey aka thee activator, who needs little introduction to the discerning raver ears as the man behind instant acid classics turn it up and always, among others. after countless studio days and nights and endless versions (we stopped counting at 56th) sharif delivers what is possibly his best work to date, an unstoppable 12 minute dancefloor annihilator. to wrap such special release we asked legend alan oldham aka ur s minister of information aka dj t-1000, (also responsible for label designs for transmat, djax, submerge, pure sonik and a long etcetera) to create one of his classic artworks. capablanca deconstructs his center pieces for the fully printed sleeve, and everybody s.c.r.e.a.m.

more from the vaults of uprising with some previously unreleased dubplate mixes. the vocal cut is an alternate take with slightly different lyrics over a more raw, spare cut of the rhythm, sans synthesizer, which has been rarely, if ever heard. the dub mix on the flip was played on dubplate by jahlovemuzik back in the mid 70s. when one mix of a great tune is not enough, dkr is there.

love bite compiles the efforts of a cadre of talented djs-cum-producers from across the globe for a selection of 4 songs each tailored for before, during and after peak time at your pool party or discotheque.

to celebrate two decades of skylax records, label head hardrock striker teams up with long time friend and co-worker dj sprinkles as skylax house explosion (s.h.e.). they present the second of three exclusive vinyl releases accompanying the mix cd for the 20 years compilation. all three eps will feature previously unreleased music curated by dj sprinkles and hardrock striker. “i think of one time in new york when they wouldn t let me into the loft, and i could hear they were actually playing one of my records on the dance floor at that very moment. i shit you not.” – dj sprinkles, midtown 120 blues (2008).

when thinking balearic, there is a name that should strike you right away. no, not ibiza itself, but the man responsible for producing and curating some of the lushest sunset music the white island has ever heard steve miller, perhaps most commonly known as afterlife. making a name for himself in the early 2000s by playing monumental events such as glastonbury, headlining cafe del mars 20th anniversary party and reaching the top of the uk charts by remixing another chance from roger sanchez, hes managed a consistency unlike many others in the decade and a half since. releasing standout classic albums such as simplicity two thousand and speck of gold, his music has been released on the premiere labels of the time, such as hed kandi and defected, while also being featured on numerous compilations to date.

to kick-start artificial dances 2018 release programme, the label has once again delved deep into the darkest corners of the dutch electronic underground. the result is a debut solo ep from another future hero, hague-based pasiphae. born in greece, pasiphae took up djing and music production when she moved to the netherlands five years ago. by 2016, she was confident enough to hold her own in the studio with intergalactic gary, with the resulting collaborative 12inch, made of glass, winning praise for its floor-rocking rhythms and throbbing electronic instrumentation.

within lok recordings’ sixth release, we introduce lokin to you. we’re coming up with something to break boundaries and strengthen the spirit of artistic freedom. -the fall- by the belgian-born berlin-based singer, songwriter and producer cook strummer - aka maxime donnet - is an evocative ode to lost love and forgotten spirituality. channeling the post-punk synth sound of his home country’s cold wave movement of the late 70s and early 80s, donnet has absorbed the sounds of his adopted home in germany, taking that all-pervasive electronic music that is all around him and morphing it into something new. the result is -the fall-. recorded in a cell located in the basement of an old stasi prison (studio k61 in berlin), it’s an album with one eye on the dancefloor, but one that works just as well when the party is over. it’s an album that blends the organic with the synthetic, mixing guitars and synths with post-dubstep flourishes and drum machines. it’s an album about something. the name of the album has been chosen in reference to first single fallen, the idea of falling in life and waking up again. it’s also about the fact that it’s not the fall that kills you. a fall can be graceful. a fall can improve a life perspective and create new paths. it can and does make you strong. the main metaphor in there is one of reincarnation. indeed, it’s the story of a soul negotiating with god to not reincarnate on earth again, but being forced to do it anyways. experience something different!

dilated pupils is a collective group of likeminded friends home-based in the netherlands. when forces are joined in one of their many studios each individual brings his own influences and styles to the table. together they share a distinct flavor in productions and raw one-take jam sessions created with the use of analogue machines and often recorded on tape. each of them have their own solo productions as well as other collaborations, but when united as dilated pupils they prefer to be known jointly as one entity with their own unique and distinguished sound. since 2014 the group has developed an interesting and widespread discography with releases on labels such as fear of flying, sol asylum, mode of expression, tabla, music is art, dorcas, make sense and mayak.

norm de plume has been quietly making a name for himself the last eight years with remixes for tornado wallace and ben la desh and ep’s for kolour ltd and his own vinyl only imprint plumage winning him a solid following along the way. his passion for all things disco and deep, dubby, underground house inspired by his musical hero ron hardy feeds through into his production style as well as his recently formed peaches & prunes party which boasts an audiophile sound system and vinyl-only sets from the djs. so when the opportunity arose to do a full ep with norm we jumped at it. here we present you with the castlecrag ep, a nod to the londoners new adoptive home of sydney, australia, and whilst his sound may be more akin to the recent musical movements of melbourne, the laid-back sun-kissed melting pot of the harbour city certainly shine through in the two originals and folamour remix on offer here.

who do you go to for your very first session when you have just been gifted your very own top-flight ‘stradivarius of synth based studios’? enter ‘the grid’ ... mr david ball: one man band of pioneering electro-pop distorters soft cell, part time psychic tv personality, film soundtrack composer and all round synth afficionado & richard norris: eclectic beat-meister & ambient dj, record producer, commited psychedelicist from ‘beyond the wizard’s sleeve’.

when harold boue aka abstraxion invited fantastic man into his studio after playing together the night before he didnt knew he was planting the seed for a new project. as he recalls, it was a day of intense sun in marseille with not enough sleep, but the result was so great that it inspired harold to work on new tracks around the idea of creating music to reflect his city: a bit rough, but luminous and influenced by elements of mediterranean, african and northern european cultures. this has translated into a heavily percussive sound, in which tribal disco grooves invoke the spirits of voodoo-techno. three cuts driven by warmly distorted rhythms, bursts of primitive drums, rubbery synths and uplifting chants that overall feel like the first sunrays after an excursion through a dark cave: both blinding and blissful. the projects name is a tribute to the astrological sign of harolds son, who was born at the same time as the music on the ep. it was the definitive signal he needed to convince himself it was the right time to start something new and different. and an event that for sure helps understanding the vibes that this music transmits: as pure, fresh and powerful as only a new beginning can be.

officially reissued at last! considered by many to be a genuine ‘holy grail’ of soul & funk. featuring ‘miracles’ as sampled by public enemy, basement jaxx, arrested development and many more.

fold edition, nebraska fires up his own friends & relations label once again to take a trip into the strain of lilting, summery deep house that has previously fitted in so well on rush hour, mister saturday night and more. this time around nebraska is getting the remix treatment from an all star cast, leading in with the woozy, soul-soaked shuffle of session victim s treatment of -pintxos.- mr beatnick keeps things suitably deep when tackling -rat boogie,- all laid back disco patter and filtered funk, before marcel vogel goes one step further on -keep what ya got- and rolls out slow and juicy funk of the raunchiest kind.

the hotly tipped uk artist makes his debut for drumcode s vinyl only off-shoot. focused on showcasing cutting-edge underground techno, adam beyer s always got an eye on the future when curating drumcode ltd. with impressive releases on tigas twin turbo and dense & pikas kneaded pains imprint, 24-year-old billy turner piqued his interest with his accomplished productions that belied his tender age. taking inspiration from the likes of marcel dettmann, truncate and planetary assault systems, turner s four-track debut dont talk to me about style was birthed in his home studio throughout 2017. the industrious brit delivers a powerful peak-time ep of nocturnal techno that moves between different moods. the title track pops with a thick grinding bassline and trippy synth effects, before escape envelopes you into a subterranean world. diodes follows, a fantastic slice of electrifying techno that bucks like a rodeo bull. the ep concludes with the blazing tunnel, that makes its mark with deft drum arrangements and a piercing call-to-arms siren.

when dorian paic, tobi neuman and patrick ense took a lunch break from their studio session they met house legend eric d. clark randomly at the burger joint. after a quick chat they took him over to tobi’s studio and recorded this delicious 12&#8243, for us. einzelkind founded la peña in 2007 as a label for friends to meet up, live, and release the music they love – and here we have the perfect example of such a serendipitous event.

backed up by a juicy mfdp club mix this release gives a nod to the golden era of house music and album cover art.
what ya doin !?

the remarkable thing about belp s new album is its two-dimensional function. it works both on a loud and a quiet volume. some tracks would go down well as a club track, like opener travelling thru galaxies . this track brings back memories of the best work released on the hyperdub label, with it s fine combination of synths and irresistible, dubby beats. elsewhere, off ending might start off as dancehall-but-not-quite dancehall track but when half way the synths kick in they change the feeling of the track to a more cerebral level.

they dont get much more anthemic than idris muhammad s could heaven ever be like this and who better to rework it than edit royalty, late nite tuff guy. subtle in his touches yet incorporating a more dj friendly, dancefloor orientated beat and tension building intro which teases elements of this classic, before that instantly recognisable bass riff and staccato guitar chords come into play. that subtlety is key when it comes to handling a record as epic as this, elements are accentuated and looped, delicate effects are woven in, but the soul and feeling of idris music is lovingly maintained by lntg. and for the purists out there, the flip houses the original mix so you ve got two paths to heaven to choose from.

ltd 7- release with classic chicago house music >>>>
there’s a reason why so many of house music’s early releases have endured over the decades. the best of them have a quality that defies logic. early house records like heard s own -washing machine,- or the -no way back- by adonis, still have the power to stun listeners and drive clubs wild. they sound alien and beautiful, simultaneously ingrained within us and so unlike everything that followed. and few sound as beautiful, or as alien, as -can you feel it.- by 1986, heard—who was born and bred in chicago and been playing in bands as a drummer—had already proved to the world that he was a master of poignant, enthralling house. the previous year’s elegant “mystery of love,” originally released on alleviated records, had featured an insistent ascending bassline repeating under a plaintive, swooning analog synth, with a gentle, conga-led rhythm setting the pace. it was soon rerecorded in a slightly more fleshed-out style, this time featuring frequent collaborator robert owens on vocals—”there’s a moment in our lives when we all must try the mystery of love”—and rereleased on d.j. international.

vinyl only! another record by another alias of a well-known electronic artist, when theyre gone theyre gone.

magdalena s -elementum ep- is her first full ep on diynamic music. the 3-tracker marks the beginning of a busy summer season for her. the opening track -mountains of es cubells- pays tribute to ibiza s after party culture – which occurs in private houses that open when the clubs close, out in the warm air and sunlight, and a very intimate atmosphere. the protagonist s verdict -i think tonight i see ibiza like it was 25 years ago- sums it up perfectly. -nautilus- is a dreamy melodic house cut, ethereally swerving through a sea of hypnotic percussions and brassy synth elements.
closing off the record is -radialis-, a brooding and gloomily minimalistic techno tune.

coming from different regions in france, violent quand on aime’s members have joined forces to canalize their energies into something truly essential. far away from hype and expectation they have created their own peculiar world. expect a certain electronic griminess with hints of 90’s hiphop, postpunk alienation and an affinity for musique concrète. the overall experience is similar to the excitement one feels when hearing something genuinely original. this mini-album is the follow-up to their very impressive 7” on le syndicat des scorpions.

following some now cult releases on mutli culti, turbo recordings (with the much-acclaimed “mz”) and his recent lp “lotos land” on japanese imprint endless flight, our favourite east-berlin born child sascha funke is finally coming up with an ep on hippie dance’s sister label your and your hippie friends. “i guess more than one of you have noticed my obsession with sascha funke’s music over the past years since it is an essential part in my dj sets. after the pause he gave his solo work to put his attention into his amazing band project saschienne together with julienne dessagne (aka fantastic twins, also his partner in life), he came back with a really cool ep on kompakt records which i played over and over and left me wanting for more. being close friends gave me the luxury of having access to his material before other people and when i would visit the coolest couple in berlin, sascha would always play me his new tunes in the car while rolling through the city. every time i would ask for those tracks to play them and in the club, people that i would play with would often ask who was behind them, as it happened with tiga one night in cologne, and eventually led to sascha’s music being released on turbo recordings and multi culti the following months. now i finally got the chance and honour to release a sascha funke ep on our own humble label... acatenango. like every time, it all started with me visiting berlin, sascha playing his new material while cruising around on board of his german car, me getting in trance while listening to it, asking for it and playing it right away in my next sets. three super cool tracks, all very different from each other but somehow connected with the inimitable funke touch. powerful yet elegant, hypnotic yet fun, brutal yet sophisticated. sascha funke... he’s a hippie and he’s a friend.” rebolledo

grammy award winner louie vega is known worldwide as one of the finest creators and purveyors of house music, both as an individual artist / producer / dj and as partner with kenny dope in the renowned production team known as masters at work. his multiple musical talents have also brought him much acclaim in the genres of salsa, afro-beat, jazz, hip-hop and soul. last year he reached another career milestone when his album “louie vega starring...xxviii” was nominated at the 2017 grammys for best dance album, which further solidified his position as one of the industry’s premier artist / producers. but not everyone knows about louie’s deep respect, admiration and knowledge of the disco genre that laid the foundation for so much music that moves crowd on dancefloors and festivals today.

grammy award winner louie vega is known worldwide as one of the finest creators and purveyors of house music, both as an individual artist / producer / dj and as partner with kenny dope in the renowned production team known as masters at work. his multiple musical talents have also brought him much acclaim in the genres of salsa, afro-beat, jazz, hip-hop and soul. last year he reached another career milestone when his album “louie vega starring...xxviii” was nominated at the 2017 grammys for best dance album, which further solidified his position as one of the industry’s premier artist / producers. but not everyone knows about louies deep respect, admiration and knowledge of the disco genre that laid the foundation for so much music that moves crowd on dancefloors and festivals today.

this is om unit s legendary philip d kick alias brought back after 7 years in retirement with it s first original material! 5 incredible jungle footwork fireworks from om unit’s legendary philip d kick alias. adding acid, 4/4 uk hardcore and sound killing amens to the sound he spawned in 2011, when he created 3 x philip d kick ‘footwork jungle’ eps, and took classic jungle anthems and footworked them. it could be argued that om unit’s philip d kick alias spawned an entire movement despite being immediately retired. as label boss fracture says -at the time, this was mind-blowing.- so 7 years later it is with great pleasure and genuine excitement astrophonica present philip d kick’s first original material - pathways - which also features teklife/chicago footwork originator dj spinn for the guest feat. on -vibe off-

sami baha is a turkish producer based in south east london. his music was introduced to the world via his 2016 ep “mavericks” (planet mu), recorded while he was moving from istanbul to london where he’s now been living the last 3 years. sami got into producing through being a rapper himself, working with local rappers in turkey and producing beats for them, before setting his sights outside the country.
while his first record was focused around a more familiar trap based hiphop sound, “free for all” expands its range into more unfamiliar territory and also brings his production into focus by featuring a number of mcs from all corners of the globe: uk drill squad 67’s dimzy, stockholm’s yung lean and chicago rapper and singer dj nate (aka flexxbabii) who’s previously recorded on planet mu as a footwork producer. the record also features the rowdy sing-song of egyptian mcs dawsha and abanob from cairo whom sami met while on tour in egypt.

14 classics by the blues pioneers.

support from: a:rpia:r, barac, cezar, livio & roby, nu zau, priku, vid, sepp, wareika, etc. romanian born ada kaleh has gained international appreciation with his sensible compositions, a deep exploration into techno and analogue, where natural sounds and frequencies abound. after releasing several records in which we discovered his love of experimentation and got acquainted with his unique manner of layering sounds as to create immersive spaces, ada kaleh reinvents his style once again with >dene descris< lp, on his homonymous vinyl only label. the album will be released in two 2x12inch parts, the first one coming this december and including four tracks. >dene descris<, which means >indescribable<, is indeed better listened than described, as each composition allows the listener to write their own story in the space ada kaleh creates. >dene descris< part one reaffirms ada kalehs incredible mastery and knowledge when it comes to production and his desire to go all the way with an idea - from titles to artwork, everything is well thought and connected, but always leaving room for the listener to feel their own worlds through his music.

fresh on francis harris kingdoms imprint comes rasmus junckers ‘ophold - six tracks of sublime atmospheres and textures. the danish musician, sound composer and dj fits perfectly with the labels aesthetic, joining the dots between ambient, leftfield electronica and modern classical. juncker has a background in studying jazz drumming and has been playing improvised music within the jazz domain for many years. he also started to dj at the age of 14 and was introduced to the world of electronic music production at the same time. when rasmus started to think about his debut album he spent several months trying to find his own way to combine his favourite musical influences, improvisation, electronics and classical music. almost a year later, juncker says, i went to a sensory deprivation floating tank in copenhagen while researching for another performance and while i was lying there, floating in the water, deprived from most of my senses, i got the idea to do something drastic in my musical process. philosophers like immanuel kant describe this deprived state as a mental cesura, which became some sort of guideline for the album.

first official reissue of the extremely rare full-length album by lagos-based bandleader shina williams. clean copies of the original currently sell for up to £500. the record was born in 1979 when shina put biddy wright, fred fisher, saliu alabi, prince bola, tutu shoronmu, tunde willimas and several other decorated nigerian musicians – who played with the likes of fela kuti, sjob movement, sonny okoson, king bucknor amongst others – together to record. the result is ‘african dances’, a timeless fusion of afrobeat, electronics, boogie and disco. includes his most well-known song, ‘agboju logun’ that williams knew was ground breaking – “i want to show the whole wide world that africa is alive with modern musicians to reckon with anywhere,”. this album version is a different mix to the two-track 12” that came out under on earthworks, rough trade in 1984. official mr bongo reissue. replica original artwork. licensed direct from shina williams.